| Session 48 – Room A224 | Session 49 – Room 209 |
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| 9.00 – 11.00 |
SECULAR MUSIC IN ITS LINGUISTIC DIVERSITY II
Chair: P. Gancarczyk I. Hijmans: Investigating melodies of secular monophony from the Alps to the North Sea between 1380-1440: Methodology and feasibility J. Ciglbauer: The meeting of oral and written traditions? The Vyšehrad manuscript and culture of Latin song in Bohemia around 1460 H. Vlhová-Wörner: The less-known repertories of the Vyšehrad Kancionál M.D. Kountouras: Troubadour music and poetry at the Latin Kingdom of Thessalonica after 1204 |
10.00 – 11.00
Chair: T. Schmidt-Beste M.P. Ferreira: PEM database Z. Chaves: Acervo Histórico do Mosteiro de Arouca J.P. d’Alvarenga: Archive of Iberian Polyphony P. Sousa Silva: Renaissance Canons |
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| Session 50 – Room A224 | Session 51 – Room 209 | Session 52 – Room 217 | Session 53 – Room 219 | |
| 11.00 – 12.30 |
SACRED REPERTORIES IN ITALY AND PORTUGAL
Chair: N. O’Regan L. Stras: Revisiting polyphonic office repertories in manuscripts from Verona and Florence O. Rees: The post-Tridentine mass in Portugal reconsidered A. Chemotti: Three madrigals and a funeral. Music in the vernacular in Catholic exequies (1570-1640) |
Chair: M. Williamson K. Bank: The wit of Weelkes E. Chan: “Diana’s Darlings”: Thomas Weelkes and the rhetoric of music S. Bassler: Thomas Weelkes and the London Madrigal Society: English madrigals and English revivals |
LE ISTITUTIONI HARMONICHE OF GIOSEFFO ZARLINO: CONTEMPORARY READINGS AND RE-READINGS 10.30-12.30
Chair: P. Vendrix P. A. Callegari: Latinitas and licentia: The recommendations of Gioseffo Zarlino in Le istitutioni harmoniche on the use of consonances and dissonances M. S. Lemos: Iconography in Gioseffo Zarlino’s Le istitutioni harmoniche: Possibilities and interpretation problems M. Privitera: Between theory and practice: A musical anthropology by Zarlino R. Borges: From the 16th century theorist to 21st century readers: Translating and publishing Gioseffo Zarlino’s Le istitutioni harmoniche today |
G. Clément: Musicology and its actors. The CIMM: A meeting place (15 mins.) L. J. M. Vallat: De l’inertie des formes fixes à l’écriture libre. Structures des chansons françaises dans la “génération de 1528” (15 mins.) G. G. James & J. Jones: Nymphes des Bois – Josquin’s Musical Genealogy (concert-lecture, 40 mins.)
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| 12.30 | LUNCH BREAK | |||
| 14.30 – 16.30 | EXHIBITION AT THE BNP | TOURISTIC/CULTURAL PROGRAMME | ||
