Day 4 (8 July 2021) – MedRen 2021 Lisbon

	Session 33 – Room A224	Session 34 – Room 209	Session 35 – Room 217
9.00 – 10.30	INTERACTIONS BETWEEN LOCAL AND INTERNATIONAL MUSIC TRADITIONS, c. 1400–1600 (round table) L. Hlávková: Moving in time. Centre/periphery concept, dating and interpretation of music manuscripts in Central Europe E. Ros-Fábregas: Local and international interactions in Hispanic sources of polyphony P. Gancarczyk: Distant or close traditions? Two manuscripts in comparison: Segovia and Warsaw 5892 I. Groote: Circulation of repertory and local interactions: thoughts on some “Swiss” sources D. Burn: Interactions between local and international traditions in the Low Countries in the early sixteenth Century M. Louviot: Re-centering fifteenth-century simple polyphony in Europe: The example of the Tongeren manuscript	LATE SACRED REPERTORIES Chair: J.P. d’Alvarenga L. Correia Castilho: Jeremiah’s Lamentation by Manuel de Tavares (In PORTUGUESE) D.W. Hughes: From the Mediterranean to Mexico: Lamentations by Brito and Padilla C. González Ludeña: Antonio Mogavero and his Lamentationvm Ieremiae Prophetae (1623) in the Iberian context (In SPANISH)	LITURGY AND PLAINCHANT IN THE IBERIAN PENINSULA II Chair: D. Andrés-Fernández L. Collamore: The troper-proser Paris, BnF, lat. 1084: Its origin and date E. De Luca: Music and liturgy in medieval Portugal: Plainchant fragments in Braga and Guimarães A. Medina de Seiça: The chants of the Pontifical de Coimbra (P-Pm Ms. 353): A preliminary survey
10.30 – 11.0	COFFEE BREAK
	Session 36 – Room A224	Session 37 – Room 209	Session 38 – Room 217	Session 39 – Room 219
11.00 – 13.00	CISTERCIANS IN PORTUGAL Chair: A. Medina de Seiça F. Taipina: The gradual of Lorvão: A witness of the Cistercian liturgy (In ITALIAN) (WITHDRAWN) THE PORTUGUESE CISTERCIAN WORLD: SCRIPTORIA, BOOKS, LITURGY C. Fernandes Barreira: Studying and characterizing a medieval scriptorium and its production: Alcobaça. From material analyses to liturgical practice Z. Chaves: Studying and characterizing a medieval scriptorium and its production: The musical manuscripts from Alcobaça L.M. Rêpas: Books, rituals and space in a Cistercian nunnery. Living, praying and reading in Lorvão, 13th– 16thcenturies	POLYPHONY IN THE 14th CENTURY Chair: A. Calvia G. Ferraris: De minimis. A few observations on the evolution of tempo in 14th-century France and Italy A. Janke: New findings on Ars nova fragments from Vienna F. Zavanelli: The Gaudent brevitate moderni: Treatises and the transmission of Franconian teachings in late medieval Italy V. Varelas: Teretismata and Kratemata: Meaningful nonsense syllables in the Kalophonic style of Byzantine chant	LATE RENAISSANCE PUBLISHING Chair: B. Eichner L. Hunter-Bradley: Plantin’s polyphonic music publications – Reputation, prestige and measures of success PUBLISHING MUSIC IN THE LATE SIXTEENTH CENTURY M. Kelber: Publication strategies in the Imperial Court Chapel of Rudolf II E. Hösl: Showcasing Lasso in Paris: Le Roy & Ballard’s Lasso series (1570–1577) F. Körndle: The printed tablature books of Jacob Paix	QUESTIONS OF ATTRIBUTION Chair: W. Furhmann R. Corrigan: What’s in a name? Who’s who (or not) in music of the early fifteenth century E. Dubke: Collaborative composing in the 16th century? Considerations on Lasso’s mass cycles S. Bradley: De-attributing the Missa Et ecce terraemotus? D. Trocmé-Latter: Dresden’s deception: A new Pater noster?
13.00 – 14.30	LUNCH BREAK
	Session 40 – Room A224	Session 41 – Room 209	Session 42 – Room 217	Session 43 – Room 219
14.30 – 16.30	HISTORIAE Chair: E. Hornby K. Helsen & M. Daley: That sticky riff: Gesture and mode in medieval office chants S. Morent: The Historia Sancti Gordiani et Epimachi of Hermannus Contractus rediscovered R. Hallas: Responding to criticism: The Office of the Visitation A. Ruiz & C. J. Gutiérrez: The Office of Saint Elizabeth in the court of Alfonso X “the Learned”: Study of the manuscript F-Pn Nal 868	PALEOGRAPHY II Chair: G. Varelli D. Donnelly & J. Cumming: Learning to read: Music paleography instruction in the age of digital sources P. Kolb: Sesquialtera in theory, notation, and sound E. Veselovska: The scribe and the notator as the bearer of identity. Bohemian notation in late mediaeval manuscripts of Central Europe H. Utidjian: Scriptor, cantor, notator: The case of the Armenian neumes	REDISCOVERED PRINTS Chair: C. Leitmeir T. Neal: A new source for the five-voice madrigals of François Roussel (WITHDRAWN) NEW INSIGHTS AND RECENT RESEARCH IN UNKNOWN GERMAN MUSIC PRINTS IN MUNICH (D-Mbs, D-Mhsa) S. Kurth: Completed after 400 years: Two partbooks to the second German songbook of Peter Schöffer the Younger (Mainz, 1517) H. Lauterwasser: Rudolph de Lasso: Opusculum Novum (Munich 1599). An important new acquisition of Bavarian State Library and hitherto completely unknown print of music G. Heinz-Kronberger & B. Schmid: Proof-reading for Orlando di Lasso’s Magnum Opus Musicum (Munich: Nicolaus Heinrich, 1604)	RETHINKING WOMEN AND SOUND IN THE MIDDLE AGES: PERSPECTIVES ON PATRONAGE, VOICE, SONG, AND AUTHORSHIP Chair: M. Gillion M. Channen Caldwell: Beyond the liturgy: Women and Latin song in medieval Europe B. Dolce: Heresy, women, and song in medieval Arras and the Southern Low Countries G. L. Gower: Joan of Navarre’s patronage of John Dunstaple L. Nielson: The feminine voice in medieval Islamicate musical culture
16.30 – 17.00	COFFEE BREAK
	Session 44 – Room A224	Session 45 – Room 209	Session 46 – Room 217	Session 47 – Room 219
17.00 – 19.00	CONSTRUCTING MUSICAL AUTHORSHIP BETWEEN 13th – 16th CENTURIES Chair: M. Bent C. Prouse: Guiraut Riquier: A name, an anthology, an art K. Hoefener: Musical authorship in chant repertoire: Guillaume Adam’s cycle O admiranda novitas (14th c.) P. Duhamel: Illustrious names: The Codex Squarcialupi in the context of a humanistic genre N. de Groot: Juan Bermudo and the Morales letter: The authority of a name	MUSIC ACROSS THE SEAS Chair: M.P. Ferreira V. da Rosa Guimarães: Musical evidence of connections between al-Andalus and the troubadours A. Fera: Polyphony as a common language: Martoretta’s Greek madrigal in the context of the 16th century Mediterranean region K. van Orden: Musicology and the New Thalassology: Questions of scale and method	POLYPHONY AS A POLITICAL ACT Chair: E. Rodríguez-García P. Massa: Viva el Gran Re Don Fernando (Historia Baetica, Rome, Eucharius Silber, 1493). Ekphrasis and pragmatics of printed music (In SPANISH) B. Nelson: Cecidit corona capitis nostri– A lament for a Portuguese king in the age of Josquin and further relations between motets in the Quis dabit tradition C. Saucier: Gombert’s Sancte Joannes apostole and the personal devotions of Emperor Charles V S. Frisch: Gascongne’s Christus vincit and the politics of sacred ceremony	SECULAR MUSIC IN ITS LINGUISTIC DIVERSITY I Chair: R. Maloy O. Huck: Songs materializing as music: Medieval monophony in music manuscripts W. Edwards: Alfonso X and the idea of measuring the rhythms of sung words C. Bosi: En la duché de Normendie: Melodic and textual peculiarities of the Chansonnier de Bayeux S. Pedro: The Portuguese language of the Cancioneiros: Recreating 16th century pronunciation (concert-lecture, 40 mins.)
19.00 – 20.00	ONLINE SOCIAL SESSION