| Session 21 – Room A224 | Session 22 – Room 209 | Session 23 – Room 217 | Session 24 – Room 219 | |
| 9.00 – 10.30 |
LITURGY AND PLAINCHANT IN THE IBERIAN PENINSULA I
Chair: L. Colton S. Ruiz Torres: Late medieval Iberian offices: A preliminary report R. Maloy & E. Hornby: Leocadia as virgin and confessor in Visigothic Toledo D. Andrés-Fernández: Saints, calendars and chant in the processional liturgy at the cathedral of Saragossa before 1450 |
REMINISCENCE AND INTERTEXTUALITY
Chair: H. Vlhová-Wörner J.W. Mason: Written and oral transmission of trouvère contrafacta M.P. Thomson: Refrains, French motets, and musical communities in the thirteenth century L.M. Denk: Pedagogy of Mariological allusion, embodiment, and perspective in Hildegard of Bingen’s musical repertory |
ARABIC CULTURAL INFLUENCES IN EUROPE
Chair: M.P. Ferreira H. Gropp: Astronomy and music in Toledo from al-Zarqali to Alfonso El Sabio R.M. Bortolini: Barrel-bell shawm: The astrological link
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Chair: K. Butler M. Williamson: John Redford’s career A. Heminger: “To the Clarke and his company”: Contingent church musicians in Tudor London A. Siso: Good subjects and good Christians: Sacred music and loyalty in the early Elizabethan court |
| 10.30 – 11.00 | COFFEE BREAK |
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| Session 25 – Room A224 | Session 26 – Room 209 | Session 27 – Room 217 | Session 28 – Room 219 | |
| 11.00 – 13.00 |
EUROPEAN ARS NOVA: NEW SOURCES AND UPDATES
Chair: A. Janke D. Checchi : Mise en page and text displacement in Ars Nova sources M. Epifani: Metrics and mensural notation in the Trecento repertoire F. Saviotti: A newly discovered polyphonic fragment: Description of the finding and analysis of the textual contents A. Calvia: The Pavia fragment: A new source of secular and liturgical polyphony |
EARLY MUSIC SOURCES: QUESTIONS OF CIRCULATION
Chair: D. Fallows R. O’Sullivan: The Leuven Chansonnier’s place in fifteenth-century song transmission networks L. Hlávková: Codex Speciálník as a local authority? The transmission of polyphony in Bohemian sources around 1500 A. Kirkman: Songs at the sacrifice: Gemischte quarthandschriften and music for the mass P. W. Urquhart: A tale of two cities: Relationships between a Northern and an Italian manuscript |
PRESENTATION, DISCUSSION AND HANDS-ON WORKSHOP 11.30-13.00
ECHOES OF JOSQUIN: COUNTERPOINT, SIMILARITY, AND THE DIGITAL EAR (90 mins)
R. Freedman & D. Russo-Batterham: Echoes of Josquin: Counterpoint, similarity, and the digital ear (90 mins) |
Chair: B. Haggh-Huglo J. Cardigni: Toward a didactic of music in two Carolingian treatises: Musica and Scolica Enchiriadis (In SPANISH) A.V. Yampolsky: Uncovering the fundamental structures of medieval mode K. Inoue: Four-semibreve ligatures in the motet In omni fratre tuo A. Williamson: It’s muddy underfoot: Pes tenors in insular thirteenth- and fourteenth-century polyphony (WITHDRAWN) |
| 13.00 – 14.30 | LUNCH BREAK | EXHIBITION at the BIBLIOTECA NACIONAL DE PORTUGAL | ||
| Session 29 – Room A224 | Session 30 – Room 209 | Session 31 – Room 217 | Session 32 – Room 219 | |
| 14.30 – 16.30 |
MUSICAL LIFE INSIDE RELIGIOUS COMMUNITIES
Chair: M. Channen-Caldwell L. Tabora: Recent musical discoveries from medieval Riga – The music in the manuscripts of the so-called “singing virgins” of a Cistercian nunnery M. Wendling: Death rituals for women’s communities C.L. Elliott: Wimple Wars: Music at the centre of controversies at the Monastery of the Glorious Assumption of Our Blessed Lady in Brussels G.B. Bazinet: Books of hours, musical devotions, and the royal congregations in late sixteenth-century Paris |
AVE FESTIVA FERCULIS REVISITED
K. Kreitner: The Ave festiva ferculis problem (introduction) J.P. d’Alvarenga: Mapping the responsory Ave festiva ferculis E. Rodriguez-Garcia & C. McKay: Ave festiva ferculis: exploring attribution by combining manual and computational analysis B. Nelson: Why by ‘Jusqujn’? – Towards a stylistic contextualisation of Ave festiva ferculis |
Chair: P. Sousa Silva E.W.M. Thomas: Behind the scenes: How to compose a “twelve-tone experiment” in 1507 J. Yoshida: Solmization and hexachords on the lute and vihuela? A. Schab: Francesco Guami and the limits of inganno A.J. Harvey: The Paston lute manuscripts: Musical commonplace books of a Catholic in Protestant England |
CONTRAPUNTAL AND FORMAL COMPOSITIONAL TOOLS
Chair: P. Kolb D. Serrano García: Compositional formulas in three-part villancicos of the Renaissance T. Daly: The other half of the mass: Duet counterpoint in the early L’homme armé repertoire A. Bregman: Josquin’s Spagna: The apogee of the fifteenth-Century basse danse A.K. Gilbert: Authorship, homage, and palindromic play in Josquin’s Missa L’ami baudichon |
| 16.30 – 17.00 | COFFEE BREAK | |||
| 17.00 – 18.00 |
Tess Knighton: The soundscape of parish churches in early modern Spain |
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| 20.00 | CONCERT 2: Capella Patriarchal and Cornetas & Sacabuxas de Lisboa | |||
