| Session 9 – Room A224 | Session 10 – Room 209 | Session 11 – Room 217 | Session 12 – Room 219 | |
| 9.00 – 10.30 |
SAN MILLÁN DE LA COGOLLA: FROM HISPANIC TO FRANCO-ROMAN CHANT
Chair: S. Ruiz-Torres E. Hornby, R. Maloy, K. Ihnat & M. O’Donnell: Creating a confessor saint in the Old Hispanic liturgy: Saint Aemilian J.P. Rubio: An unedited office in honour of St. Aemilianus: hermeneutic keys to the first Roman liturgy for this saint V. Urones: The reception of the Roman-Frankish chant in the monastery of San Millán de la Cogolla. The alleluia verses of E-Mh Cód 18 and E-Mh Cód 51 (In SPANISH) |
PLAINCHANT IN THE 16th CENTURY
Chair: D. Burn D. Merlin: Inside and behind a printed antiphonary: Notation, editorial revision, marketing strategy H. T. Drummond & N. W. Bleisch: The Tsgrooten Antiphoner: Revision and reform of the later Premonstratensian Office M. Lundberg: Singing bishops: The authority of Swedish bishops and consistorium members in singing practice at solemn occasions c.1480-c.1570 |
CONFRATERNITIES AND THE URBAN SOUNDSCAPE II
Chair: T. Knighton A. Mazuela-Anguita: Confraternities as an interface between citizens and convent musical ceremonial in sixteenth-century Barcelona S. González González: Methodological approaches to the use of GIS tools for soundscapes analysis J. Ruiz Jiménez: Cartography of confraternal activity in the context of the medieval and early modern urban soundworld: A preliminary report |
GEORGIAN MEDIEVAL MUSIC: TRADITIONS AND PERSPECTIVES
Chair: I. Moody K. Managadze: Peculiarities of the regulation of medieval Georgian church services and their influence on the representation form of hymnography monument. T. Chkheidze & M. Nadareishvili: A dialogue of cultures – Encountering of Georgian and European musical traditions at the example of the first Georgian mass E. Oniani: Division marks in Georgian neumatic monuments |
| 10.30 – 11.00 | COFFEE BREAK | |||
| Session 13 – Room A224 | Session 14 – Room 209 | Session 15 – Room 217 | Session 16 – Room 219 | |
| 11.00 – 13.00 |
Chair: V. Borghetti C. O’Flaherty: Sounds and music in contemporary poetry of the late 15th century L. Stefanescu: ‘De Voluptate Aurium:’ Hearing in the Afterlife and Zaccaria Lillio’s De Gloria et Gaudiis Beatorum O. Doyle: De Loquela Nati: Musicianship governed by the stars in the Liber Nativitatum. C. Hancock & T. Shephard: Musical classicisms in Niccolo Perotti’s Cornucopiae |
MAPPING THE MOTET IN GERMAN-SPEAKING REGIONS, 1500–1550 (I) – SOURCES
Chair: F. Fitch E. Giselbrecht: “A carefully selected bouquet” – German composers in early motet anthologies S. Gasch: Once again: D-Z 81/2 –Thoughts and observations on motets in manuscripts from Central Germany K. Schöning: Motet in the tablatures 1500–1550 A. Ropchock Tierno: Old music, new places: Heinrich Finck’s sacred works in the Czech and Slovak lands |
DIGITAL RECONSTRUCTIONS AND EDITIONS
Chair: R. Freedman C. Goursaud: Antoine Busnoys’s L’homme armé Mass: A new digital critical edition (WITHDRAWN) J. Cook: Reconsidering the Carver Choirbook (WITHDRAWN) M.E. Thomae, J. Cumming & I. Fujinaga: Guatemalan Cathedral Choirbook 1: From manuscript to digital images to digital scores E. Chernova: The All-Night Vigil in early Russian demestvenny polyphony. GB-Lbl Add. MS 30063 |
MUSICAL EXCHANGES ACROSS THE CORRUPTING SEA I
Chair: L. Nardini A.M. Hatzikiriakos: Introduction. Historical musicology and the Mediterranean L. Marchi: Franciscan music across the Mediterranean G. Accornero: The power to measure. Relocating the origins of mensural notation in Arabian sources. G. Danieli: Pasolini’s late films and the musical construction of the Mediterranean |
| 13.00-14.30 | LUNCH BREAK | EXHIBITION at the BIBLIOTECA NACIONAL DE PORTUGAL | ||
| Session 17 – Room A224 | Session 18 – Room 209 | Session 19 – Room 217 | Session 20 – Room 219 | |
| 14.30 – 16.30 |
Chair: T. Shephard D. Grabiec: Musical instruments as an image of peccata linguae in Christian medieval iconography B.H. Haggh-Huglo: The organ in early music theory? The Lambertus diagrams M. Held: Roman d’Alexandre (Oxford, Bodleain Library, MS Bodley 264) and the late medieval instrumental music L.S. Ventura Nieto & S. Chang: Sixteenth-century female painter-musicians and the arpicordo problem |
MAPPING THE MOTET IN GERMAN-SPEAKING REGIONS, 1500–1550 (II) – COMPOSERS AND GENRES
Chair: E. Giselbrecht S. L. Edwards: The inclusive psalter: Understanding the rise of the Latin psalm motet in Central Europe M. Grassl: The Latin compositions of Arnold von Bruck: A preliminary assessment S. Tröster: More than the sum of its parts? Senfl’s polytextual motets F. Fitch: Senfl’s Ave, Maria … Virgo serena in Context |
Chair: L. Stras C.C. Giddings: The influence of Torquato Tasso’s poetry on Monteverdi’s madrigals C. T. Leitmeir: “Madrigals in Italian as well as Latin”: Towards a radical re-definition of the madrigal in the late 16th century C.A. Elias: Poetic reworkings in madrigals of the forgotten ones: Focus on Pietro Havente |
MUSICAL EXCHANGES ACROSS THE CORRUPTING SEA II
Chair: L. Marchi A.T. Demirbaş: Atmeydanı. The stage of sound and power in 16th-century Ottoman court festivals N. Ferrari: “They trample with filthy feet on the disciplines and liberal arts”: Music, cultural supremacy, and the image of the Turk T. Cugelj: “Ad laude, gloria et commemoracion del cessar della pestilentia”. The Corpus Christi procession in the Republic of Dubrovnik G. Sanfratello: Musical crossroads in the eastern Mediterranean: The polyphonic singing traditions of the Ionian Islands |
| 16.30 – 17.00 | COFFEE BREAK | |||
| 17.00 – 18.00 |
Luisa Nardini: Nuns and chant in Southern Italy |
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| 18.00 – 19.00 | BUSINESS MEETING | |||
| 20.00 |
CONFERENCE DINNER |
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