| 11.00 – 14.00 | REGISTRATION |
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| 14.00 – 14.30 | OPENING |
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| Session 1 – Room A224 | Session 2 – Room 209 | Session 3 – Room 217 | Session 4 – Room 219 | |
| 14.30-16.30 |
Chair: E. De Luca M. Jones: The calligraphy of Old Hispanic notation: Two notational scripts in British Library Add. MS 30845 E. Wride: Constructing diversity in horizontal Old Hispanic notation G. Varelli : Cimelia palaeographica: Early Chant Palimpsests from Italy C. Weyer: What is a “neume”? – Questions and clues arising from D-B IV 11 |
16th-CENTURY IBERIAN POLYPHONY
Chair: E. Ros-Fábregas K. Kreitner: Tarazona 5: A reassessment C. McKay & M.E Cuenca: Musical influences on the masses and motets of Cristóbal de Morales and Francisco Guerrero: A statistical approach R. Carpentier: Philippe Rogier and the “Spanish polychoral dialect” |
MORALITY AND POPULAR SONG IN EARLY MODERN ENGLAND
Chair: S. Bassler S. Arten: Anti-ballad sentiment in Tudor collections of metrical scriptural paraphrase J. A. Mann: “A good exhortation,” or moral instruction in English broadside ballads, 1558-1625 K. Butler: Attitudes to rounds, catches and their singers in early modern English culture |
Chair: J. Rodin Respondent: J. Rifkin W. Fuhrmann: Is there a late style in Josquin? Some (all too) preliminary reflections D. Fallows: Josquin’s six-voice music, with an attempt to rehabilitate his six-voice Basiez moy. M. Meyer: Josquin and the culture of prayer and devotion: observations on his later motets |
| 16.30 –17.00 | COFFEE BREAK | |||
| Session 5 – Room A224 | Session 6 – Room 209 | Session 7 – Room 217 | Session 8 – Room 219 | |
| 17.00 – 18.30 |
Chair: A.K. Gilbert C. Barros: Absalon, Fili mi (1540) according to Christoph Bernhard’s poetics C.M. Villavicencio: I Flauti Omnitonum D. Gallagher: “Extremely dissonant and not to be used in counterpoint”: The diminished fourth and augmented fifth in the shadow of Zarlino |
Chair: T. Schmidt-Beste H. Sauer: Philippe de Monte masses in manuscripts from Neustadt an der Orla M. P. Brauner: The perils of paleography A.L. Tartler: The intabulations of ‘Italian’ vocal pieces in Johann Heinrich Herwart’s music collection: A source network |
CONFRATERNITIES AND THE URBAN SOUNDSCAPE I
Chair: T Knighton F. Escrivà-Llorca: Brotherhoods and soundscapes in the processions of redemption of captives in early modern Valencia E. Honisch: In terra aliena: Singing Catholic brotherhoods in Imperial Prague E. Lessa: The confraternal movement in Braga in the 16th and 17th centuries: Devotion, music and power |
JOSQUIN AT FIVE-HUNDRED: THE LOST YEARS
Respondent: J. Rifkin J. Rodin: The Josquin canon at five-hundred J. D. Jones: Finding Josquin in France B. Kostrzewski: Josquin des Prez and the origins of the French-Court motet |
| 18.30 | RECEPTION | |||
| 20.30 – 21.00 | EXHIBITION at the BIBLIOTECA NACIONAL DE PORTUGAL | |||
| 21.00 – 22.00 | CONCERT 1: Biblioteca Nacional de Portugal – Vozes Alfonsinas | |||
