Carlo BOSI obtained a DPhil at the University of Oxford (2004) with a dissertation on the modality in the songs by Du Fay and Binchois. Between 2004 and 2005 he was DAAD scholar at the Friedrich-Schiller-Universität Jena-Weimar and between 2006 and 2007 he won a scholarship of the Norges Forskningsråd at the NTNU Trondheim with a project on chant in medieval Scandinavia. He was Research Fellow at City University, London between 2007 and 2009, and since 2010 he works as a postdoc and a senior postdoc on two FWF projects on borrowing and citation of monophonic tunes in polyphonic textures (chansonmelodies.sbg.ac.at). Presently he is leading a FWF research project at Salzburg University on the relationship between baroque literature and libretti in early Venetian opera.
