Antonio CHEMOTTI studied at the Faculty of Musicology at the University of Pavia. From 2013 to 2016, he held a position as research fellow at Ludwig Maximilian University in Munich, where he wrote a doctoral dissertation that examined polyphonic music for the liturgy for the dead in post-Tridentine Italy. From 2016 to 2019, he was a postdoctoral researcher in the HERA Project “Sound Memories: The Musical Past in Late Medieval and Early Modern Europe”, working on the musical culture of sixteenth- century Silesia. In 2020 he was selected as the 2020/2021 Andrew W Mellon Fellow at Villa I Tatti – The Harvard University Center for Italian Renaissance Studies in Florence. He is based at the Institute of Art of the Polish Academy of Sciences (Instytut Sztuki Polskiej Akademii Nauk, Warsaw).
